Our long-standing collaboration with Maya Dunietz has resulted in a recording, and we are delighted to announce The Sound of Difference and Connection today. The record will be released at the beginning of 2026 – just in time for the premiere of our new joint production Sieg über die Sonne with Maya Dunietz, Showcase Beat le Mot and von Krahl at HAU Berlin.
More details coming soon!

In October, we will be guests at the Theocharakis Foundation in Athens with a site-specific program. Drawing on our many years of experience in activating art spaces and engaging in dialogue with artworks, we create a special connection between music and space.
Claude Vivier’s Learning for four violins opens the evening in the auditorium, followed by Felix Profos’ Lange Melodien, which unfolds through the exhibition rooms in resonance with the works of Opy Zouni. The program is complemented by vocal compositions by Meredith Monk as well as improvised solo and duo pieces. The evening concludes with Julius Eastman’s Buddha – a shared sound ritual with local musicians.

The Solistenensemble Kaleidoskop explores the rich complexity and expressive power of the string quartet in Somehow We Can. Following its world premiere in June 2025 at Radialsystem – presented as a three-part complete concert – the project continues in the autumn with a series of performances at prominent Berlin art venues: After the first part at Schinkel Pavillon, the program now continues at EBENSPERGER in the Fichtebunker and at Sammlung Hoffmann. At each of these evenings, the music engages with the spaces and the artworks on display, opening up new perspectives on music and its context.

Sun, Oct. 25, 2025 Somehow We Can #2, EBENSPERGER, 6:00 p.m.
Sun, Nov. 23, 2025 Somehow We Can #3, Sammlung Hoffmann, 5:30 p.m.

Members of Kaleidoskop are part of Max Andrzejewski’s music theater installation SATISFACTIONACTION at the Beethovenfest in Bonn on September 14, 2025, and at the Deutsche Oper in Berlin on October 2 and 3, 2025.

“Oddly Satisfying” – this is the name of the Internet phenomenon in which perfect actions, repetitions, and absurd routines evoke a surprising sense of pleasure. SATISFACTIONACTION takes up this phenomenon and transforms it into an immersive music theater experience: a space where collective satisfaction is celebrated, while at the same time critically questioned.

Composer Max Andrzejewski combines contemporary music, minimalism, and experimental jazz with improvisation. Together with the Solistenensemble Kaleidoskop, the Vocantare Choir, choreographer Sylvana Seddig, and artist Lukas Zerbst, a multi-layered installation of music, movement, video, and space unfolds.

The audience experiences moments of perfect alignment – and, at the same time, the question: is collective satisfaction merely an escape from an overwhelming reality, or can it also open up new perspectives?